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Peter Paul Rubens Portrait of Thomas Howard 1629 - 30
Medium oil on canvas
Dimensions 67 x 54 cm
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Peter Paul Rubens The Reconciliation of King Henry III and Henry of Navarre 1628(1628)
Medium oil on panel
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Peter Paul Rubens Peter Paul Rubens 131.2 x 94.2 cm
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Peter Paul Rubens Ceres and Pan 1615(1615)
Medium oil on canvas
Dimensions 223 X 162 cm
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Peter Paul Rubens The Reconciliation of Jacob and Esau oil on panel, at the National Galleries of Scotland
Date 1624(1624)
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Peter Paul Rubens Charles Quint circa 1603(1603)
Medium oil on canvas
Dimensions 75 X 55.5 cm
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Peter Paul Rubens Orpheus and Eurydice 1636-1638
Medium oil on canvas
Dimensions 194 X 245 cm
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Peter Paul Rubens Ceres and Two Nymphs with a Cornucopia 1608(1608)
Medium oil on canvas
Dimensions 22 X 17 in
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Peter Paul Rubens Portrait of prince Wladyslaw Vasa in Flemish costume circa 1624(1624)
Medium oil on canvas
Dimensions 116.2 X 85.8 cm
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Peter Paul Rubens Infant Christ and St John the Babtist in a landscape after 1615(1615)
Medium oil on canvas
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Peter Paul Rubens Self Portrait with a Hat between 1623(1623) and 1625(1625)
Medium oil on panel
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Peter Paul Rubens Study Heads of an Old Man 1612, Dayton Art Institute
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Peter Paul Rubens The Destiny of Marie de Medici Oil on canvas. Louvre, Paris, France.
Date 1621-1625
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Peter Paul Rubens The Lamentation 1614(1614)
Medium oil on panel
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Peter Paul Rubens The Holy Family with St Elizabeth between 1614(1614) and 1615(1615)
Medium oil on panel
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Peter Paul Rubens The Marriage of Henri IV of France and Marie de Medicis between 1628(1628) and 1630(1630)
Medium oil on panel
Dimensions Height: 23 cm (9.1 in). Width: 12.5 cm (4.9 in).
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Peter Paul Rubens Charles Bonaventura de Longueval, Count de Bucquoi 1621(1621)
Medium oil on panel
Dimensions 62 x 50 cm
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Peter Paul Rubens
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Flemish Baroque Era Painter, 1577-1640
Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects.
In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England.
Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635.
His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems.
His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.
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